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《醉蓬莱·对朝云叆叇》原文翻译及赏析_作者黄庭坚对朝云暮雨霏微乱峰相倚巫峡高唐锁楚宫朱翠画戟移春靓妆迎马向一川都会万里投荒一身吊影成何欢意尽道黔南去天尺五望极神州万重烟水樽酒公堂有中朝佳士荔颊红深麝脐香满醉舞歌袂杜宇声声催人到晓不如归是「备用QQ—950216—」客服聊天系统916.tw
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《皂罗袍（原来姹紫嫣红开遍）》原文翻译及赏析_作者汤显祖原来姹紫嫣红开遍似这般都付与断井颓垣良辰美景奈何天赏心乐事谁家院朝飞暮卷云霞翠轩雨丝风片烟波画船锦屏人忒看的这韶光贱
《满江红·拂拭残碑》原文翻译及赏析_作者文征明拂拭残碑敕飞字依稀堪读慨当初倚飞何重后来何酷岂是功成身合死可怜事去言难赎最无辜堪恨更堪悲风波狱岂不念疆圻蹙岂不念徽钦辱念徽钦既返此身何属千载休谈南渡错当时自怕中原复笑区区一桧亦何能逢其欲
《诉衷情·凭觞静忆去年秋》原文翻译及赏析_作者晏几道凭觞静忆去年秋桐落故溪头诗成自写红叶和恨寄东流人脉脉水悠悠几多愁雁书不到蝶梦无凭漫倚高楼此词描写孤独寂寞的相思之苦开头两句回忆去年秋天与情人在故溪头桐树下相晤话别的情景话别是推断出来的是根据下文的恨字说的这恨只能是离愁别恨把相唔之处称作故溪头也很有意思加上一个故字就把二人对年交往的情义包括进去了接下来用红叶题诗的典故是暗中把自己比喻幽闭的宫女其孤独寂寞之情状依稀可见过片三短句写得很概括但给读者留出的想象空间却很开阔人是漫倚高楼朝下面含情不语地凝望着悠悠的流水此时此际心中所忆所想所希冀所企盼均在不言之中水悠悠之后接上几多愁也许是巧合这使读者联想到李后主的名句问君能有几多愁恰似一江春水向东流所以三个短句的表现力是相当强的接下来雁书不到蝶梦无凭巧妙地天然属对把见不到信做不成梦的情况通过典故表达出来这一方面可与上片的用典相呼应避免了失之单调的弊病另一方面也使得词句呈现出丰满的形象性避免了抽象地空喊孤独空喊寂寞的弊病最后以漫倚高楼作结束交代了全词所写的凭觞静忆和倚楼凝望的所在之处使得主人公的活动有了个落脚点这也是很必要的还有一点很有意思全词以倚楼作结但倚楼的行为并没有停止词读完了在读者的印象中好像主人公仍然在倚楼沉思并没有移步离开那儿
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